Camera handling techniques 24 shot sequence:

Two-shot

A shot of two people, framed similarly to a mid shot.

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WS (Wide shot)

The subject takes up the full frame, or at least as much as comfortably possible.

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MS (Mid Shot)

Shows some part of the subject in more detail while still giving an impression of the whole subject.

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WS (Wide Shot)

The subject takes up the full frame, or at least as much as comfortably possible.

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MCU (Medium close up)

Half way between a MS and a CU.

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Medium long shot (MLS)
Places the person in context.

Low Angle Shot (LAS)

A shot looking up at a character or subject often making them look bigger in the frame. It can make everyone look heroic and/or dominant. Also good for making cities look empty.

Medium long shot (MLS)
Places the person in context.

Medium shot (MS)

This allows you to get to know the character more closely by viewing their facial expressions and body language.

Extreme close-up (ECU)

To make the viewer aware of some specific detail in the film. It can be used to heighten tension.

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Medium long shot (MLS)
Places the person in context.

Medium long shot (MLS)
Places the person in context.

Low Angle Shot (LAS)

A shot looking up at a character or subject often making them look bigger in the frame. It can make everyone look heroic and/or dominant. Also good for making cities look empty.

High Angle Shot (HAS)

A shot looking down on a character or subject often isolating them in the frame. Nothing says Billy No Mates like a good old high angle shot.

High Angle Shot (HAS)

A shot looking down on a character or subject often isolating them in the frame. Nothing says Billy No Mates like a good old high angle shot.

Two-shot

A shot of two people, framed similarly to a mid shot

Two-shot (TS)

A shot of two people, framed similarly to a mid shot

MS (Mid Shot)

Shows some part of the subject in more detail while still giving an impression of the whole subject.

Two-shot (TS)

A shot of two people, framed similarly to a mid shot

Over-The-Shoulder Shot
A shot where the camera is positioned behind one subject's shoulder, usually during a conversation. It implies a connection between the speakers as opposed to the single shot that suggests distance.

VWS (Very Wide Shot)

The subject is visible (barely), but the emphasis is still on placing him in his environment.

MCU (Medium Close Up)

Half way between a MS and a CU.